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What you won't see is that reveal of Wolverine's original '70s costume at the very end.

This sequence seems to have been shot with the knowledge it could end up cut from the final edit, as there are easily discernible 'in' and 'out' points that don't tie it too firmly to the action that bookends the fight. I'd also wager (but am not 100% certain) there are more shots of the Silver Samurai drilling into Logan's bone claws, in what is still the most stomach-turning sequence in any film featuring Marvel comic characters.

It features a lot of blood, in big washes, thanks to dastardly use of a snow-grinding machine. The biggest addition, which accounts for many of the extra twelve minutes in this version, is an extra segment that takes place at the beginning of the ninja encounter that opens the movie's final sequence. There are extra f-bombs and some more swearing in general, as well as some extended and additional dialogue. The love hotel sequence is a bit different. Some alternate takes are sprinkled into the action, featuring more intense violence. There is certainly more blood, especially in the first big fight sequence at Yashida's funeral, and all the action features many more shots of claws and swords puncturing bodies. So what's new in this cut? With no opportunity to review the theatrical cut beforehand, and no explicit conversation about this version at the post-show Q&A these notes are not meant to be 100% comprehensive. Note: full spoilers for The Wolverine follow. It is more bloody and violent it's a movie that offers the grimier side of Wolverine even as it fails to address issues that kept the theatrical cut from fulfilling all its ambitions. This marks the first time that Fox has veered away from the PG-13 rating with an X-Men movie, and a rare example of any major studio offering an extended unrated cut of a major tentpole. The Wolverine hit theaters this past summer, and thanks to James Mangold's direction (both on set and behind the scenes in dealing with Fox) it was a thematically strong film, with Nolan-esque ambitions to break the image of the comic book film as a superficial effects showcase. Yet it still seemed to be held in check in particular the film's violence and intensity didn't quite match up to the intensity of Claremont and Miller's conception of the character.įor the Blu-ray and digital release of The Wolverine, Fox is taking an unusual step by releasing an extended and unrated cut of the film.

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